![]() ![]() While I know I was experiencing QB™ the first book, I didn’t think I had it that bad. Presumably unable to think of a new UF-style plot (despite prior groundwork), Breene decides to recycle ‘accept the magic’ premise of discovering and accepting her supposed ability to fly. ha.) and take them to the magical-people bar (logic escapes me). She compounds this with stupid decision-making, by deciding it would be appropriate to date non-magical people (‘Dicks,’ of ‘Dick and Jane’ fame, ha. I'm not sure how we got here, because that wasn't really the mental focus of the last book, which left her and the reader preparing for a magical attack. However, the sequel is entirely content to backtrack and recycle, first by suddenly giving us a main character that goes from embracing independence and a new way of living (hello, magic metaphor!) to one that is focused on dating. As she uncovers the mysteries of the house, she discovers she is spiritual heir to its magic and the plot revolves around discovering and accepting that magic and a new life. ![]() ![]() The premise is that a woman is at odds after divorcing and her only son going off to college, so when she inherits a house out of the blue in a small California town, she thinks, ‘why not?’ The eccentric butler and gardener only add to the appeal. I thought the first book in the series, Magical Midlife Madness, quite cute. ![]()
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